PriyaLasya- Indian Classical Dance: PriyaLasya - Classical Dance - Web Magazine & NewsLetter

PRIYALASYA - EVENTS & PERFORMANCES SECTION & WORKSHOPS

Welcome to the Margazhi 2018-19

Nandalala Schedule	Konark Festival	Nrutyankura
Arth	Dhwani	Kala Samarpan

November 2018 - News Articles

The Undoing Dance - The Hindu Article

Confluence of Indian Dance Forms - Spandan

Kuchipudi exponent Vanashree Rao brought Puranic lore to the fore

Bharatanatyam in outer space

Remember The Viral ‘Bharatnatyam on Footpath’ Video? B’luru Takes It To the Next Level!

Shweta Prachande's bharatanatyam in Kochi

Sharmila Mukherjee tells 'Swan Lake' story through Odissi

Hockey World Cup Diary: Odissi's Italian connection in Bhubaneswar

Odissi recital by Madhulita Mohapatra demonstrates elegance

Story image for mohiniyattam from Times of India Sopanalasyam: Reviving the forgotten bond of bhakti

Kanak Rele highlights the beauty of Mohiniyattam

Grace and familial bonding at this kathak performance

In search of the Kathak king

Past Articles

1. Award to Bharatanatyam Exponent Smt. Parvati Ravi Ghantasala

2. Sanathana Vaibhavam - Kuchipudi Performance

3. Manju Barggavee - Queen of Natya

4. #MeeToo - Womens Voice

5. Bharatanatyam - Antariksha Sanchar !!

6. Adi Guru Pankaj Charan Das Award Festival 2018

7. Dancers of Mahagami Perform Kathak & Odissi

8. When Sita came alive with Mohiniyattam

A Specials Section - Twitter Moments

PRIYALASYA VIDEO SECTION

Bharatanatyam

Leela Samson - Yera Rara - Javali
(Youtube Link)

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PRIYALASYA -ARTISTE SPACE SECTION
KUCHIPUDI - PRIYANKA PAHARI

PRIYALASYA PHOTOGRAPHY SECTION

PRIYALASYA ARTICLES . Reports - LINKS

On the Movement from One Adavu to the Next - Donovan Roebert
The movement from one adavu to the next is always a fresh re-embodiment of a motion that is not only ancient but captive to stylization. It is a setting free of an imprisoned idea, a letting go of a captured unit of code into the forum of the vital, the liberation of a codified insight from the field of death into the pastures of the living. The dancer reaching from adavu to adavu is in this sense a partaker in the miraculous, a worker of the impossible act of transubstantiation, the dead letter re-made into living flesh.
Bhama Kalapam - A Report From Madhumathi - Kuchipudi